Holly's time on the world stage was pitifully short, lasting only from September , when That'll Be The Day became an international hit, to February 3, , when he and two fellow performers, Ritchie Valens and J P "The Big Bopper" Richardson, fatally decided to fly from Clear Lake, Iowa, to Fargo, North Dakota, to avoid a freezing night on a tour bus. The crash of their chartered aircraft into a snowy stubble-field has become rock's most famous tragedy, enshrined by Don McLean's American Pie as ''the day the music died''. In 16 crowded months, Holly had created a blueprint for enlightened rock stardom that every newcomer with any pretence at self-respect still aspires to follow.
He was the first rock 'n' roller both talented and strong-minded enough to insist on the artistic control his musical heirs now take for granted. He was the first not only to write his own songs but also to arrange them, directing his backup musicians to his own exacting standards.
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He was the first to understand and experiment with studio technology, achieving effects with echo, double-tracking and overdubbing on primitive Ampex recorders which have never been bettered. He was the first rock 'n' roller not to be a scowling pretty boy like Elvis — to be, in fact, angular and geeky-looking, with bad skin, discoloured teeth and glasses that did not acquire their stylish black frames until the last months of his life.
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He was the first to make it on sheer ability, energy and personality, appealing to a male audience as much as a female one, redefining the perception of good looks and style much as John Lennon and Mick Jagger would in the next decade. The years since have seen many other great talents prematurely snuffed out. But Holly's death has a special poignancy.
This was no rock 'n' roll roughneck, hell-bent on self-annihilation, but an amiable and deeply religious young Texan whose life had not the least taint of scandal, discredit or unkindness; who had recently married and was about to become a father; who went on tour through the snowy Midwest only because his ex-manager, Norman Petty, refused to pay his royalties; who took that fatal flight with his two colleagues only to snatch a few hours sleep in a hotel and get his laundry done.
His fans are numbered in the millions, and grow in number with each passing year. And dying so young, and so pure, as he did, he left them an extra gift. They can never be disillusioned. Buddy Holly in AP.
Rave on: The Biography of Buddy Holly
Terms and Conditions. Style Book. Weather Forecast. Accessibility links Skip to article Skip to navigation. Wednesday 30 October With him were fellow rock 'n' roller Ritchie Valens. By Philip Norman. Related Articles. Rock and Jazz Music. In Rock and Jazz Music. Top Galleries. To category Blues. To category Schlager. To category Vinyl. To category more sections. A-Z div.
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Close menu. Gebundene Ausgabe - Seiten - Ramboro Books PLC - - Englisch The tragic, bittersweet story of the founder of American rock 'n' roll and one of America's greatest rock heroes "This is the comprehensive book all Buddy Holly fans have been waiting for.
It brings Buddy into hard focus with in-depth interviews with family and friends. Having interviewed over two hundred people, Ellis Amburn has written the most revealing and definitive biography of Holly's life. The result is a triumphant American work. As with Hank Williams, his genius came early: He won a singing contest at the age of five, and by the time he was in his teens, he was a sen-sation at Lubbock Senior High School with his own radio show.
Here, in Buddy Holly, Ellis Amburn, the biographer of Janis Joplin and Roy Orbison, presents the most comprehensive biography ever written about this legendary figure, a young man who transformed the course of American music with his shocking blend of country and western and rhythm 'n' blues.
Having devoted the last five years of his life to this work—crisscrossing the rural paths of the United States from Texas to Iowa to Minnesota—Amburn portrays Holly as a mythic antihero, whose rebellious, dramatic life was a reaction against the constricting val-ues of America in the s, when his music was regarded as the work of the devil.
From his wild days as a juvenile delinquent, to his first romances, to his early associations with then virtually unknown singers like Elvis Presley and Waylon Jennings, Holly emerges as a deeply tortured, driven individual and a bril-liantly talented young man in a hurry to make it as a star. Among the stories that Amburn discusses are: the making of the band that would be known as the Crickets, including the recollec-tions of two former members of the group; the way in which Holly and his group were ripped off by producer Norman Petty; the har-rowing travel conditions endured during the "Winter Dance Party" tour; and the never-before-told story of Holly's marriage to Maria Elena, whom Amburn interviewed about the couple's early days in Greenwich Village.
Holly fans will discover the true stories behind some of rock's greatest anthems, including "That'll Be the Day" and "Peggy Sue," as well as what really happened on that final flight on February 3, , "the day the music died. Buddy Holly is a haunting portrait of a man who inspired dream and legend—wistful memories of whom return us to a seemingly more inno-cent age nearly forty years ago. A former book editor and noted biographer, he makes his home in Key West, Florida.
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